Posts

Joe Kesrouani: Beirut Remixed

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This article first appeared in Reorient Magazine, 1 October 2012 Joe Kesrouani is a busy man. Recently, he took part in a project entitled Hoods for Heritage, wherein the Porsche Centre in Lebanon offered 16 artists the chance to decorate the bonnet of its 911 model in any way they pleased. Kesrouani's own contribution, a black and white halftone vinyl print of one of his more provocative pictures of a rear-view of a woman's torso, was exhibited alongside work the work of other young, aspiring Lebanese artists and designers such as Ayman Baalbaki, Zeina El Khalil and Nada Debs, in the Villa Audi Mansion in Beirut. As part of the initiative, the bonnets were later auctioned off in aid of the Lebanese National Heritage Foundation.  More

Trouble Meets Trouble

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This article first appeared in Cornwall Life Magazine, October 2013 Sophie Kazan meets award-winning Royal Academician Stephen Chambers ahead of his solo exhibition in St Ives.  

Khaled Hafez: Forensically Formal

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This article first appeared in Harpers Bazaar Art, July 2013 Khaled Hafez' iconoclastic canvases span eras, cultures and the minutia of civilisations in kaleidoscopic panoramas, adding colour and modernity to ancient iconography. Sophie KAzan met him to discuss his practise and what an archaeologist 500 years hence might deduce about these turbulent times in which we live...

Sax Impey: The Light And The Veil

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This article first appeared in Aesthetica Magazine, 23 September 2013 Sax Impey is a Cornish artist, who was born in Penzance, trained at Newport in Wales and now works in the historic Porthmeor Studios in St Ives. The Light and the Veil, his latest exhibition at the Millenium Gallery in St Ives has one subject: The Sea.  More

Bita Ghezelayagh: The Letter That Never Arrived

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This article first appeared in Harpers Bazaar Art, July 2013 Bita Ghezelayagh’s ‘The Letter That Never Arrived’ (Nameh-l ke hargez naresid) at London’s Rose Issa Projects analogised the artistic and cultural tradition of Iran to a thewarted message or a letter, intercepted en route to its intended destination.

The Chanel Mobile Art Pavilion by Zaha Hadid

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This article first appeared in Open Arts Journal, Issue 2 This review of the Mobile Art Pavilion (MAP) designed by Zaha Hadid for the fashion house Chanel considers the innovative form, materials and space of the building, and ponders the irony of its permanent installation in the grounds of Paris’ Institute of the Arab World.  More